Bishop hopes that someone has heard the police weapons firing, but the neighborhood is too sparsely populated for nearby residents to pinpoint the location of the noise. Report This. "[64] In October 2011, artist Tyler Stout premiered his mondo-style poster of Assault. Vincent Canby of The New York Times wrote, "[Assault] is a much more complex film than Mr. Carpenter's 'Halloween,' though it's not really about anything more complicated than a scare down the spine. Assault on Precinct 13 movie information , trailer , galleries , downloads and games . "[23], Many film critics who praised the film also praised the musical score by Carpenter. [5] When the film became popular in Britain, Michael Myers of Miracle Films purchased the British theatrical distribution rights. "[43] Alan Jones of Starburst wrote, "Bravura remake of Rio Bravo. "It's very much his [Carpenter's] kind of urban Western", adds Wright, "in the way it is staging Rio Bravo set up in downtown '70s LA... And the other thing is, for a low-budget film particularly, it looks great. Mr. Carpenter is an extremely resourceful director whose ability to construct films entirely out of action and movement suggests that he may one day be a director to rank with Don Siegel. Assault on Precinct 13". What I instead received was an old DVD of a different edition placed inside the Blu-Ray case. L.A.'s deadliest street gang just declared war on the cops.This is a video with the soundtrack from John carpenters movie Assault on precinct 13. "[48], Tim Pulleine of The Guardian described the film as superficial despite successfully meeting the requirements of the genre. [6] "I hardly knew what the job required," said Wallace, "but he believed in me, and, of course my price was right. Carpenter's made many different kinds of movies over the course of his long career, but he hasn't gotten to return often enough to terse tales of gun-toting heroes and villains. One mistake Carpenter was not proud of was one shot "cut out of frame", which means the cut is made within the frame so a viewer can see it. [7][10] "When I did my original themes for [Assault] … it was done with very old technology," replied Carpenter. "It was very difficult to get the sounds, and it took very long to get something simple. After reviewing the first draft of Assault and following the sale of the script Eyes to Barbra Streisand and Jon Peters, later renamed Eyes of Laura Mars, Kaplan and Kaufman concentrated on just Assault. "[39] Carpenter has said that the British audiences immediately understood and enjoyed the film's similarities to American Westerns, whereas American audiences were too familiar with the Western genre to fully appreciate the movie at first. It's left up to a ragtag group of police employees and criminals to defend themselves. Beck doesn't believe him and tries to attempt a mutiny, but Bishop sides with Roenick and forcefully reminds Beck that Roenick is in charge. The problem was they didn’t know the station was being closed and there was hardly anybody inside. Assault on Precinct 13 is the 1976 thriller that was one of the earliest directorial efforts from John Carpenter, as this was his first film after the cult classic Dark Star and preceded his breakout hit Halloween by two years. [14] "Carpenter at Cannes wiped us off the face of the earth with Precinct 13" replied director George A. Romero, who was at the festival with his film Martin. "Guns in the ghetto". With Austin Stoker, Darwin Joston, Laurie Zimmer, Martin West. The film opened at the Cannes Film Festival in May 1977, where it received favorable notices from some of the British critics. [3][4][5]:1[6], Carpenter had hoped to make a Howard Hawks-style Western like El Dorado or Rio Lobo, but when the $100,000 budget prohibited it, Carpenter refashioned the basic scenario of Rio Bravo into a modern setting. This is the first name of the main criminal, Napoleon Wilson (Darwin Johnson) in the original Assault on Precinct 13 (1976). Bishop shoots a tank full of acetylene gas, which explodes and kills all the gang members in the basement. ", was inspired by the cigarette gags used in many of Hawks's Westerns. Members of a local gang known as 'Street Thunder' have recently stolen a large number of automatic rifles and pistols. Carpenter originally called the film The Anderson Alamo[5] before briefly changing the title to The Siege to shop to distributors. Assault on Precinct 13 Synopsis: Police ambush and kill several gang members in Los Angeles. The gang then storms the building and rushes the survivors, who protect themselves with a large, durable sign. [5]:87[9] The bus traveling to Sonora was shot on a closed section of the Los Angeles freeway system, with cast and crew having lunch on the freeway. [7][9], Assault was shot in 2.35:1 anamorphic Panavision widescreen, Carpenter's first use of the format that he would use on all of his feature films. Two Wayne County sheriff's deputies are transferring Bishop with three other criminals: addict ex-lawyer Beck, petty crook Anna, and counterfeiter Smiley. Of primary importance was not the bloodshed or action, but rather the developing friendship and respect in evidence between the white convict Napoleon Wilson and black cop Lt. Bishop … also important in [Assault]'s homage to director Hawks was the unforgettable presence of actress Laurie Zimmer as a prototypical 'Hawksian Woman,' i.e., a female who gives as good as she gets and is both tough and feminine at the same time. On New Year's Eve, Roenick, along with veteran policemen Kevin Capra, Jasper O'Shea, and secretary Iris Ferry are the only people on site, since most of the officers have transferred or are taking time off for the Holidays. Assault on Precinct 13. "His disdain for human beings would be serviced if he could make a film without people in it," replied O'Bannon.[35]. People who dislike Assault On Precinct 13 (2005 Movie) S. Sarah @quesarahusps. [89] A '40th Anniversary Edition' became available in the United Kingdom by Second Sight, and features John Carpenter's score for the film on a bonus disc. [7] The day and time titles were used to make the film feel more like a documentary. The MPAA, headed by Richard Heffner at the time, threatened to give the film an X rating if the scene were not cut. The best movie quotes, movie lines and film phrases by Movie Quotes .com Someone is gunning for Bishop and the staff of Precinct 13 could be collateral damage. Directed by John Carpenter. [52], John Carpenter won the 1978 annual British Film Institute award for the "originality and achievement of his first two films", Dark Star and Assault, at the 1977 London Film Festival.[53][54]. Golder, Dave (November 1996). The final result was a unique, synthetic sound that is still quite catchy, even after 20 years … Delightfully, it even serves as a counterpoint in one important scene. 0/808 likes in common. "It's a cinematic ratio. [73][a 5], Critics and commentators have often described Assault as a cross between Howard Hawks's Rio Bravo and George A. Romero's Night of the Living Dead. "[17], One of the film's distinctive features is its score, written in three days by John Carpenter[9] and performed by Carpenter and Tommy Lee Wallace. It has many references to the films of Howard Hawks. "[45] Mick Martin & Marsha Porter of the Video Movie Guide gave the film four and a half stars out of five, writing, "…John Carpenter's riveting movie about a nearly deserted L.A. police station that finds itself under siege by a youth gang. "[25] In his book The Horror Films of the 1970s, John Kenneth Muir gave the film three and a half stars, calling it "a lean, mean exciting horror motion picture... a movie of ingenuity, cunning and thrills. Writer/director Carpenter also did the eerie music score for this knockout. A terrific action thriller set in a desolate police precinct pitting Howard Hawks archetypes against a gangland siege. Emerging from the tunnel, they find themselves surrounded by Duvall's men. Bishop, the more mobile of the two, takes Roenick's gun and flees, with Roenick promising to personally arrest him in the future. Assault on Precinct 13. Assault on Precinct 13 is a 2005 action thriller film directed by Jean-François Richet and starring Ethan Hawke and Laurence Fishburne. [69] Donald Pleasence would go on to star in Carpenter's Halloween because his daughters were big fans of Assault. Watch This Now! [10] The running gag of having Napoleon Wilson constantly ask, "Got a smoke? [61], In his fifth edition of The New Biographical Dictionary of Film in 2010, film historian David Thomson described Assault as "a Hawksian set of a police station besieged by hoodlums - economical, tense, beautiful, and highly arousing. [5]:192[26][27] The main theme was reworked in 1986 as an Italo disco 12"[28] and more famously as the 1990 UK-charting rave-song "Hardcore Uproar". 741 Tastepoints. When a notorious gangster named Marion Bishop (Laurence Fishburne) is rerouted to Precinct 13 with a truckload of prisoners due to a blizzard, Precinct 13 could face its longest night. [2] Austin Stoker stars as a police officer who defends a defunct precinct against a relentless criminal gang, along with Darwin Joston as a convicted murderer who helps him. [5]:153[36] Ken Wlaschin, festival director,[37] described the film in the brochure: John Carpenter, whose small-budget science-fiction epic Dark Star was widely acclaimed, has turned his inventive imagination to the thriller for his first solo directional effort. [3], Assault on Precinct 13 was not financially successful, and was widely considered a box office failure; made on a budget of $30 million, it went on to earn $35.3 million worldwide. Derek Malcolm is quoted on two of the British, Leonard Maltin gave two stars out of four for the 2005 remake, describing it as, "Violent remake of lean, mean John Carpenter B movie adds a variety of plot complications—and with each one, another layer of disbelief. During the day, three sequences … As the prisoners are put into cells, the telephone lines go dead, and when Starker prepares to put the prisoners back on the bus, the gang opens fire on the precinct, using weapons fitted with silencers. 2 talking about this. [80][81] On March 11, 2003, Image Entertainment released in new widescreen "Special Edition" DVD of the film. "[9], Carpenter's script makes many allusions to film history and inspirations for this film. It has garnered a cult following and reappraisal from critics, with many evaluating the film as one of the best action films of its era and of Carpenter's career. Across town, two of the Street Thunder warlords, along with two other gang members, drive around the neighborhood looking for people to kill. Their combined efforts repulses several more attacks and creates a stalemate. Streaming: Aug 16, 2016. Watch Online Assault on Precinct 13 Full Movie HD, Download Assault on Precinct 13 Full Movie 1080p 720p 540p 360p Torrent - MkvStar.Com A remake of John Carpenter's superior film of the same title from 1976, Assault on Precinct 13 concerns a siege on a largely abandoned police station, which is related to the presence of a notorious criminal, Marion Bishop (Laurence Fishburne). Assault was shot on Panavision, which takes up the entire negative, and edited on Moviola, which cannot show the whole image, so if a cut was made improperly (i.e., frame line not lined up properly), then one would cut a half of a sprocket into the film and "cut out of frame," as happened to Carpenter. O'Shea confesses that he assisted Duvall, preferring to side with corrupt policemen than a career criminal like Bishop. [14][36] It became one of the festival's best-received films, garnering tremendous critical and popular acclaim. Learn more. Roenick agrees, stating that he's "back". [16], Two weeks of shooting indoors were followed by two weeks on-location. Watch Assault On Precinct 13 movie trailers, exclusive videos, interviews from the cast, movie clips and more at TVGuide.com. ... 2020 Original Movies and TV ... the penitentiary are forced to stop at the precinct. In Theaters: Nov 5, 1976 Wide. [3][a 2] The film was acquired by Irwin Yablans. [7] Carpenter has referred to this film as the most fun he has ever had directing. John Carpenter’s second feature. The Blu-ray of the film is presented in its original aspect ratio of 2.35:1, with 5.1 DTS-HD surround sound and dual mono sound, and a plethora of special features including new interviews with actor Austin Stoker, executive producer Joseph Kaufman, and art director and sound effects designer Tommy Lee Wallace, along with commentaries from Wallace and John Carpenter, trailer and radio spots, and five art cards. Chang describes the film, Instead of Indian braves, Zulu warriors, or graveyard zombies, Assault on Precinct 13's heroes defended themselves in a desolate police station against marauding waves of dark, heavily armed gang members seeking revenge for their cop-killed brothers. "[60] In Jeff Chang's 2005 book, Can't Stop Won't Stop, he cites Assault on Precinct 13 as the start of "the urban horror" genre. No prize for originality, but how original does a cop-action-siege thriller have to be? [7], The first scene, in which several gang members of Street Thunder are gunned down by cops, was shot at USC. [86] The film has also received Blu-ray releases in Germany, on May 25, 2012, in a '3-Disc Limited Collector's Edition' which includes two DVDs and contains a 24-page booklet in addition to the special features available on the Image Entertainment DVD and Blu-ray,[87] with a subsequent standard edition released on November 16, 2012,[88] in Australia, it is available via Umbrella Entertainment, released August 5, 2015. The film begins at 3 A.M. that morning, as a team of heavily armed LAPD officers ambush and kill six members of the gang. Both sides notice an approaching vehicle, and Duvall's men attack. The film was one of the first films to be released on the DVD medium on November 25, 1997, also by Image Entertainment. More than an action-exploitation flick (though it more than holds its own on that level), Assault on Precinct 13 is a disguised Western with a horror aspect that Carpenter would later work out more rigorously in such films as Halloween and The Thing. [40] It is currently Carpenter's highest-rated film as writer-director on the website. There is no "Precinct 13" in the film. Gang members make a pact of blood to strike back at police, and conduct a siege on the police station which is almost abandoned and due to be closed. [31][32] Following the advice of his distributor, Carpenter gave the appearance of complying by cutting the scene from the copy he gave to the MPAA, but he distributed the film with the "ice-cream truck" scene intact, a common practice among low-budget films. In her assessment, she confronts Roenick with his failures during the botched sting, but also acknowledges that Roenick's self-blame is misplaced, as he could not control every circumstance. This is a lie. Divine, C. (2000). "From Cult Homage to Creative Control". Later, the gang's four warlords swear a blood oath of revenge, known as a "Cholo", against the police and the citizens of Los Angeles. "[10], As with most of Carpenter's antagonists, Street Thunder is portrayed as a force that possesses mysterious origins and almost supernatural qualities. [5]:192 Carpenter, assisted by Dan Wyman, had several banks of synthesizers that would each have to be reset when another sound had to be created, taking a great deal of time. [20][21], Carpenter also uses a plaintive electric piano theme when Lt. Bishop first enters the abandoned precinct. "[Carpenter] asked if I could cut sound effects. John Carpenter’s second feature. "Cracker in the ghetto". "[9], Tommy Lee Wallace, the film's art director, spoke admiringly about Carpenter during post. Alright, alright, I’ll admit it: Assault on Precinct 13 isn’t actually a Western. Plowright, M. (September 1978). The assault takes place on Precinct 9, Division 13. When the gang members cut the station's electricity and begin a second wave of shooting, Bishop sends Leigh to release Wells and Wilson, and they help Bishop and Leigh repel an attempted invasion, though Julie is killed in the firefight. The prisoners are Napoleon Wilson, Wells, and Caudell, who is sick. At first John Carpenter wanted to call the film "The Anderson Alamo" (the original title of his screenplay), and at one point he changed the working title to "The Siege." Club also ranked Assault at No. Venturing down into the basement, the police officers find dozens of dead and badly-burned gang members strewn about the hallway; the only survivors are Bishop, Leigh, Wilson, and Lawson. As a matter of fact, it's laughing at you. As Duvall prepares to execute the rest, Bishop secretly plants a flash bang grenade on O'Shea, injuring him. It fulfills all Carpenter's ambitions for gripping the audience emotionally and never letting go. Watch options. Beyond its use in the film, the score is often cited as an influence on various electronic and hip hop artists with its main title theme being sampled by artists including Afrika Bambaataa, Tricky, Dead Prez, and Bomb the Bass. ", The only exception to this rule was his 2010 film. A held, high synthesizer note, with no other changes except inner frequency modulations, becomes the musical motif of the gang members, and reoccurs during certain violent acts in the film. The answer, of course, was 'Sure!' Agresti, Aimee; Brown, Jennifer; Cronis, Chris; Fernandez, Jay A; Gallo, Holly; Gopalan, Nisha; Karren, Howard; Kenny, Glenn; Lewin, Alex; Matloff, Jason (July 1999). "[44] In 2000 John Kenneth Muir placed the film at No. "You wouldn't really call it an action film," claims Pegg, "because it was pre- the evolution of that kind of film. Carpenter, who is clearly a director with places to go, has succeeded in making a comedy that scares the pants off us.
What Time Zone Is Corpus Christi, Texas, Lazarbeam Minecraft Server Seed, Skyrim Animation Mod, Moroccan King Son, Hardest Cuny School To Get Into, Ben Gaukrodger Profile, Confronting Your Giants,
Recent Comments